Jess Kidd: ‘My older sister taught me to read with Mills & Boon’
The Guardian
··
-
Older >
Source
Time
Score
-
-
You’re Embarrassing Yourself by Desiree Akhavan audiobook review – a devastatingly honest and funny memoir
The Guardian
··
-
The CIA Book Club by Charlie English review – ‘It was like fresh air’
The Guardian
··
-
Matthew Macfadyen to play George Smiley in new John le Carré TV show
The Guardian
··
-
Careless People by Sarah Wynn-Williams review – Zuckerberg and me
The Guardian
··
-
Daniel Craig in line for role in Greta Gerwig’s Narnia film for Netflix
The Guardian
··
-
Martha Mills young writers’ prize 2025 opens for entries
The Guardian
··
-
Madame Sosostris & the Festival for the Broken-Hearted by Ben Okri review – a slender fable
The Guardian
··
-
Universality by Natasha Brown review – clever satire of identity politics
The Guardian
··
-
‘OpenAI’s metafictional short story about grief is beautiful and moving’ | Jeanette Winterson
The Guardian
··
-
1 Big Difference at Harvey Weinstein’s #MeToo Retrial
TIME
··
-
In the Lost Lands review – not much to find in pointless science-fantasy
The Guardian
··
-
Maternity Service by Emma Barnett review – baby steps
The Guardian
··
-
Torrey Peters on life after a hit novel: ‘It had a very chilling effect on my writing’
The Guardian
··
-
Once the Deed Is Done by Rachel Seiffert review – mystery in the aftermath of the Third Reich
The Guardian
··
-
The Rule of Jenny Pen review – John Lithgow pulls the strings in care home horror
The Guardian
··
-
The Age of Diagnosis by Suzanne O’Sullivan review – do no harm
The Guardian
··
-
Mud, sweat and deers: a poetic view on gender transition – in pictures
The Guardian
··
-
A Touch of Love review – Margaret Drabble’s single-mother drama is a vivid 60s time capsule
The Guardian
··
-
Lauren Child in running for repeat Carnegie medal after 25 years
The Guardian
··
-
The trauma plot: how did culture get addicted to tragic backstories? | Diana Reid
The Guardian
··
-
Michael Sheen, Jameela Jamil and Hanif Kureishi join packed Hay festival lineup
The Guardian
··
-
William S Burroughs’s art: ‘He said, I killed the only woman I loved. Then broke down sobbing’
The Guardian
··
-
The Rest of Our Lives by Ben Markovits review – a triumphant twist on the great American road novel
The Guardian
··
-
Carrion Crow by Heather Parry review – a stomach-clenching contender for awards
The Guardian
··
-
Long live Joyce Carol Oates’ Twitter account: the only pure space left on this hell site
The Guardian
··
-
Athol Fugard was a dreamer, listener and master storyteller – on stage and at home | Barney Norris
The Guardian
··
-
The big idea: should we abolish art?
The Guardian
··
-
The North Pole: The History of an Obsession by Erling Kagge review – an adventure that can’t be topped
The Guardian
··
-
Is This Working? by Charlie Colenutt review – labours of love in unexpected places
The Guardian
··
-
A Town Without Time by Gay Talese review – New York by an old master
The Guardian
··
-
The Mouthless Dead by Anthony Quinn review – murder most unsolvable
The Guardian
··
-
Best seat in the house: writer Geoff Dyer on why sitting in a corner is so satisfying
The Guardian
··
-
A Room Above a Shop by Anthony Shapland review – a striking story of concealed love
The Guardian
··
-
‘Will Trump give up the store?’ Edward Fishman on how US economic warfare works – and doesn’t
The Guardian
··
-
The Age of Diagnosis by Suzanne O’Sullivan review – are we really getting sicker?
The Guardian
··
-
Jurassic-era trees have grown in Tasmania for millions of years. Now they face their biggest threat: fire
The Guardian
··
-
Xiaolu Guo: ‘Write less, in order to write stronger’
The Guardian
··
-
On my radar: Bobby Baker’s cultural highlights
The Guardian
··
-
Noel Fitzpatrick: ‘We often put on the radio and TV for the animals’
The Guardian
··
-
Go outside, ditch the phone, get humble: my top 10 Scandi life lessons after a decade in Denmark
The Guardian
··
-
Scorpions by Tuppence Middleton review – living with OCD
The Guardian
··
-
‘AI will become very good at manipulating emotions’: Kazuo Ishiguro on the future of fiction and truth
The Guardian
··
-
‘The definition of a classic’: Kazuo Ishiguro’s Never Let Me Go at 20
The Guardian
··
-
Tom Gauld on finishing a book – cartoon
The Guardian
··
-
‘What’s wrong with us?’ : Novelist Virginia Feito on our morbid obsession with true crime
The Guardian
··
-
Twist by Colum McCann review – globalism and a voyage into danger
The Guardian
··
-
‘I’m like the TV Lorraine - just more sweary’: at home with the queen of the small screen
The Guardian
··
-
This month’s best paperbacks: Mick Herron, Armistead Maupin and more
The Guardian
··
-
The best recent science fiction and fantasy – review roundup
The Guardian
··
-
The Electric State review – Millie Bobby Brown’s bot war yarn is soulless digital content
The Guardian
··
-
Branching out or nipped in the bud? Could Groot be getting a solo Marvel movie?
The Guardian
··
-
Killing Time by Alan Bennett audiobook review – quietly subversive comedy
The Guardian
··
-
Hunchback by Saou Ichikawa review – favours for furikake
The Guardian
··
-
A Brief History of the End of the F*cking World by Tom Phillips review – apocalypse not
The Guardian
··
-
Jenni Fagan’s ‘visceral’ memoir of growing up in care wins Gordon Burn prize
The Guardian
··
-
If you only read one book this year … make it this one!
The Guardian
··
-
New poll finds 40% of Britons have not read a book in the past year
The Guardian
··
-
Alive by Gabriel Weston review – a revelatory study of the body
The Guardian
··
-
Flesh by David Szalay review – brilliantly spare portrait of a man
The Guardian
··
-
Sophie Elmhirst’s Maurice and Maralyn wins Nero book of the year prize
The Guardian
··
-
Neil Gaiman asks US court to dismiss lawsuit alleging rape and sexual assault
The Guardian
··
-
Peter Wolf on Faye Dunaway, David Lynch and Bob Dylan: ‘My mission was to be an observer’
The Guardian
··
-
The Antidote by Karen Russell review – a magical realist Dust Bowl tale
The Guardian
··
-
Mood Machine by Liz Pelly review – a savage indictment of Spotify
The Guardian
··
-
World Book Day: top tips for last-minute costumes
The Guardian
··
-
Kit de Waal to headline new festival celebrating women writers over 50
The Guardian
··
-
Unseen Harper Lee stories set in New York and Alabama to be published
The Guardian
··
-
‘Let’s dig into the archives and tell the truth’: interrogating Yale’s connections to slavery
The Guardian
··
-
‘The blue blues have never left us’: a new book examines the color’s spanning ties to Black culture
The Guardian
··
