Author Vincenzo Latronico: ‘I left Italy out of sadness’
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Mathematician Adam Kucharski: ‘Our concepts of what we can prove are shifting’
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‘A different philosophy of things’: how Solvej Balle got ahead of Groundhog Day’s time
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‘He still features in my nightmares’: how a sinister psychiatrist put hundreds of women in deep, drug-induced comas
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The Five author Hallie Rubenhold: ‘I really hate true crime’
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Tom Gauld on literary classics for Mother’s Day – cultural cartoon
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Maybe I’m Amazed by John Harris review – a father and his autistic son bond through music
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My Brain: After the Rupture review – a fierce mantra for us all to live by
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Between the lines: what do White Lotus characters’ book choices tell us?
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With a little help from my friend: John, Paul and the ‘romance’ that transformed culture
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What is ‘abundance’ liberalism, and why are people arguing about it?
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Cynthia Ozick: ‘Alice in Wonderland seems calculatedly cruel’
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‘At 60, the bulk of your life is lived. What’s left now?’ Ralph Fiennes and Uberto Pasolini on their ripped and radical take on The Odyssey
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The Cafe at the Edge of the Woods wins Waterstones children’s book prize
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French-Algerian author Boualem Sansal sentenced to five years in prison
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Red or Dead review – Peter Mullan never walks alone as Liverpool FC hero Bill Shankly
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Salman Rushdie to publish new collection of stories, The Eleventh Hour
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A Room Above a Shop by Anthony Shapland review – a fantastic debut of forbidden desire
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What Is Free Speech? by Fara Dabhoiwala review – a brilliant history of a weaponised mantra
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UK publishing less accessible to Black authors now than before 2020, industry names say
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The Dream Hotel by Laila Lalami review – what if AI could read our minds?
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Iowa law banning books including 1984 and Ulysses blocked by US federal judge
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From Blackpool to Play School: Johnny Ball on his days as a ‘bag of nerves’ comic
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Raw Content by Naomi Booth review – those difficult newborn days
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Democrats staged ‘hush-hush talks’ in 2023 for Biden to withdraw from race, says book
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Free by Amanda Knox review – after the acquittal
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Yuan Yang, Neneh Cherry and Rachel Clarke shortlisted for Women’s prize for nonfiction
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Richard Osman urges writers to ‘have a good go’ at Meta over breaches of copyright
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Flannery O’Connor at 100: should we still read her?
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‘Something to believe in, even if it’s deeply silly’: why 15,000 people signed up to a letter-writing project
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The play that changed my life: Eimear McBride on nine hours of Dostoevsky, seen three times
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In brief: 33 Place Brugmann; The Decline and Fall of the Human Empire; A History of the World in 47 Borders – review
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On the Clock by Claire Baglin review – a fast food novel for a refined palette
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The Alienation Effect by Owen Hatherley review – how immigrants reshaped postwar Britain
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Poem of the week: The Stopover by Giovanni Pascoli, translated by Taije Silverman and Marina Della Putta Johnston
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The big idea: should you dump your toxic friend?
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A Climate of Truth by Mike Berners-Lee review – a white-hot takedown of environmental policy
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Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso by Sue Roe review – artist as lothario
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From The Simpsons to Werner Herzog: the coolest, craziest, scariest Nessies ever
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Bath, balls and Darcy’s pile: where to celebrate Jane Austen’s 250th anniversary
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There’s No Time Like the Present by Paul B Rainey review – a funny, unpredictable and wild comic
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What Is Free Speech? The History of a Dangerous Idea by Fara Dabhoiwala review – a flawed polemic
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Universality by Natasha Brown review – a fabulous fable about the politics of storytelling
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Why decolonise Shakespeare when all the world’s a stage for his ideas on injustice? | Kenan Malik
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John & Paul: A Love Story in Songs by Ian Leslie review – let it be the new gold standard in Beatles studies
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Poet Jason Allen-Paisant: ‘We belong in the picture’
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Reid Hoffman: ‘Start using AI deeply. It is a huge intelligence amplifier’
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Ukraine’s clandestine book club defies Russia’s push to rewrite history
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The future happens in Oakland first. That’s a cautionary tale for global cities
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Did my Jewish great-grandfather make chemical weapons for the Nazis? Author Joe Dunthorne on a dark legacy
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Tom Gauld on abandonment issues – cartoon
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The Paris Express by Emma Donoghue review – countdown to disaster
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What is the meaning of life? 15 possible answers – from a palliative care doctor, a Holocaust survivor, a jail inmate and more
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Mutiny brews in French bookshops over Hachette owner’s media grip
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The Guardian view on climate fiction: no longer the stuff of sci-fi | Editorial
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‘More are published than could ever succeed’: are there too many books?
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Is Hollywood really going to ditch the anti-fascist satire in its Starship Troopers remake?
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‘Every push forward is opposed by backward forces’: why the new Rebel Girls book is more needed than ever
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David Szalay: ‘In a sense, all fiction is fan fiction’
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Stag Dance by Torrey Peters review – genre games and gender mischief
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The Women’s Orchestra of Auschwitz by Anne Sebba review – playing for their lives
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Meta exposé tops bestseller chart despite company’s attempt to ban its promotion
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Gisèle Pelicot announces she will publish a memoir
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Alex Wheatle, novelist and ‘Brixton Bard’, dies aged 62
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Changing My Mind by Julian Barnes review – a manifesto for open-mindedness
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I Want to Go Home But I’m Already There by Róisín Lanigan review – a housing crisis ghost story
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‘The female gaze interested me more’: the radical vision of Dona Ann McAdams – in pictures
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Eley Williams and Ferdia Lennon shortlisted for Dylan Thomas prize
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Snow White review – Disney’s exhaustingly awful reboot axes the prince and makes the dwarves mo-cap
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JK Rowling appears to criticise Harry Potter’s three stars amid feud
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